What conclusion does Hamlet reach, or what does Hamlet realize, over the course of this speech?

Question number 1:         The emotions Hamlet experiences are mainly the feeling for revenge on his father’s death. He is obsessed by his thoughts that lead him to madness. When he realizes that his father is dead and his mother is already married, his feelings make him feels torn between revenge and guilty for all the questions he makes to himself, and all the consequences of his acts. Question number 2:          Hamlet concludes that he is no more than a coward, guided by his obsession for revenge at any cost when he thinks of  too many men dying for a fantasy. On the other hand, he thinks that anyone has ambitions and enemies to fight against, so he decides that his thoughts must be directed to his objectives, even though they are all bloody, or nothing in his life would be worth. Question 3:          The audience should be impacted by the revelation of Hamlet’s personality,  the exposure of his inner feelings and all the drama he carries inside him. Director’s notes:          In order to get to this impact on the audience,  the actor should feel honored for representing a great character from Shakespeare and put his soul in each dialogue. The actor must work on an immersion in the character so he can convince the audience of the drama that is being showed.

1. Hamlet feels sorrow, regret and finally despair as he pronounces his soliloquy.
2. He realises that his awe is small compared to the burden of death we all carry, so he must “think bloody” from now on.
3. The audience should feel sorry for him, at first, but it should change by his conclusion.
4. The actor should be slow paced, almost still at first, then energetic and louder towards the end. His facial expression must go from sadness to anger, to madness.

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Answer : Hamlet was a famous play written by the great author, William Shakespeare. It is the longest play of Shakespeare. Explanation : 2. The director’s notes that indicated how to instruct an actor to speak and behave is provided below : The director wanted the actor on the stage to be slow paced. The actor should almost be still in the stage at first and then become energetic and louder towards the end of the speech. The facial expression of the actor also must change from sadness to anger and then go to madness at the end. 1. Hamlet experiences sorrow and regret during the speech and he finally feels despair when he pronounced his soliloquy. 2. Over the course of speech, Hamlet realized that the awe he feels is very small as compared to the burden of death that we all carry. Thus he should ‘think bloody’ form now onward. 3. By the Hamlet speech, the audience at first should feel sorry and bad for him and then the feeling should change when he concludes his speech.

Answer to Question 1: Hamlet becomes increasingly furious with both himself and whoever harmed those who he cared about. A visceral sentiment of vengeance consumes him as he realizes his mind won’t be at peace if he simply stands around fearfully inside his aristocratic eggshell, and the sentiment won’t snuff out until the ones responsible for his anger are punished. Answer to Question 2: Hamlet believes he will become a beast if he gives himself into an avenging wrath, but it does not matter to him as long as his grieving thoughts are cleansed. Ignoring the incident would simply preserve his plight. Answer to Question 3: The audience should feel compasion for the man in duel, and be afraid that a good man who’s well aware of his own thoughts and conclusions – a man that has lost nearly everything – gave into the rage. Director’s notes on Proper Soliloquies. An actor who aims to perform a soliloquy must look around their environment, focus on a significant element of the scene, and procced to describe with detail how the sight makes them feel – repeat the process with the rest of the scene -. The actor should change the tone of their voice between the lines depending on the current feeling of their character; shouting it all should not be neccesary and might be considered exaggerated.

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Answer to Question 1: Hamlet becomes increasingly furious with both himself and whoever harmed those who he cared about. A visceral sentiment of vengeance consumes him as he realizes his mind won’t be at peace if he simply stands around fearfully inside his aristocratic eggshell, and the sentiment won’t snuff out until the ones responsible for his anger are punished. Answer to Question 2: Hamlet believes he will become a beast if he gives himself into an avenging wrath, but it does not matter to him as long as his grieving thoughts are cleansed. Ignoring the incident would simply preserve his plight. Answer to Question 3: The audience should feel compasion for the man in duel, and be afraid that a good man who’s well aware of his own thoughts and conclusions – a man that has lost nearly everything – gave into the rage. Director’s notes on Proper Soliloquies. An actor who aims to perform a soliloquy must look around their environment, focus on a significant element of the scene, and procced to describe with detail how the sight makes them feel – repeat the process with the rest of the scene -. The actor should change the tone of their voice between the lines depending on the current feeling of their character; shouting it all should not be neccesary and might be considered exaggerated.

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Answer 7

He must assassinate claudis and avenge his father’s death. Explanation: He is a deep thinker and realizes that he has been impulsive in the past, but not realistic. Now, he must do what needs to be done. No more wondering about what he should do. Death must come to Claudis. He actually thinks he will “get well” in his head if he does this. maybe he is not crazy, but just so depressed and feels responsible to avenge his father.

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